Born: 1973, Regina, Saskatchewan

 

Education

Emily Carr Institute of Art and Design, Vancouver, BC

 

Selected Exhibitions

2008
Vancouver Auto Show, Monte Clark Gallery, Vancouver, BC
Portraits, Monte Clark Gallery, Toronto, ON

2007
Copy Work & Gobo, Contemporary Art Gallery, Vancouver, BC (solo exhibition)
Utopian Mirage, The Frances Lehman Loeb Art Centre, Poughkeepsie, NY
Winter Salon Exhibition, Monte Clark Gallery, Vancouver, BC

2006
Prize Winning Photograph, Monte Clark Gallery, Toronto, ON (solo exhibition)

2005
Apartment Lobbies, Monte Clark Gallery, Toronto, ON (solo exhibition)

2004
Prize Winning Photograph, Monte Clark Gallery, Vancouver, BC (solo exhibition)

2003
Various Properties, University of British Columbia, Belkin Art Gallery,
Vancouver, BC
Apartment Lobbies, Monte Clark Gallery, Vancouver, BC (solo exhibition)

2002
A Proposal for an Exhibition, Monte Clark Gallery, Vancouver, BC
Queen City, Dunlop Art Gallery, Regina, SK (solo exhibition)
Queen City, Monte Clark Gallery, Toronto, ON (solo exhibition)
Untitled (New Work), Monte Clark Gallery, Vancouver, BC
Bring to Order, Canadian Museum of Contemporary Photography (National Gallery), Ottawa, ON
Details, Monte Clark Gallery, Vancouver, BC

2001
The Power of Reflection, Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montreal, PQ
Apartment Lobbies, Art Gallery – University of Toronto at Scarborough
Toronto, ON (solo exhibition)

2000
Queen City, Monte Clark Gallery, Vancouver, BC (solo exhibition)

1999
Bitume/Bitumen, View Finder, Brussels, Belgium
La Couleur du Confort, “Le Mois de la Photo a Montreal,” Gallery VOX,
Montreal, PQ
After photography, Monte Clark Gallery, Vancouver, BC, curated by
Roy Arden
The High Life: A Contemporary Salon, Monte Clark Gallery, Vancouver, BC

1995
The Flat Gallery, Vancouver, BC
Bridge Artist Run Centre, Regina, SK

 

Selected Bibliography

Sengara, Lorissa. Park, Monte Clark Gallery, Canadian Art, Winter 2005, Vol. 22, No. 4 , page 95

Arden, Roy. After Photography. Canadian Art, Winter 2000, Vol. 17, No. 4, 1999

Brayshaw, Chris. Show Chock Full of Talent, Georgia Straight, Jan. 2003

Coupland, Douglas, Critical Mass, The Globe and Mail, May 12, 2001, v1,v2.

Dick, Terence. A Proposal for an Exhibition, Parachute, July 2003

Gopnik, Blake. High art embraces the lowly snapshot, The Globe and Mail, Sept. 16,1999

Henderson, Lee. Letter from Vancouver, Artnet, Summer 2003

Hirschmann, Thomas. Sad Regina, Now Magazine, June 2002

Kouwenhoven, Bill. Le mois de la photo a Montreal, Photo Metro, vol. 18, issue 15, 2000

Meyers, Laura. Retroscapes, Art Business News, Sept. 2003

Milroy, Sarah. Eye on the Margins, The Globe and Mail, Feb.28, 2002

Poole, Rosemary. Lobbying for Art, The National Post. Sept. 6, 2003

Scott, Michael. Late Light, Canadian Art, Fall 1999

Scott, Michael. The Monte Clark Gallery combines liberal and traditional thought in contemporary salon, The Vancouver Sun, February 24, 1999

Scott, Michael. After Photography Comes What? Photorealism gets a reality check, The Vancouver Sun, May 8, 1999

Sengara, Lorissa. Review: Proposal for an Exhibition, Canadian Art, Spring 2003

Shier, Reid. After Images: Photography stays real at Monte Clark, Vancouver Magazine, May, 1999

Turenne, Martin. Six Degrees of Creative Expression, Butter, Spring 2003

Van Evra, Jennifer. Lobbies for the Avant-Garde, Vancouver Sun, August 2003

 

Catalogue

Le mois de la photo a Montréal 1999: le souci du document, exhibition catalogue, Vox, Centre de diffusion de la photographie, Montréal, Québec, pp.120-124, image p.122.

The Power of Reflection, Martha Langford, 2001

Art Is All Over, Emily Carr Institute of Art and Design, 2000. p.14 – 1

Saskdiaspora, Arndrew Oko & Anthony Kiendel, exhibition catalogue, Dunlop Art Gallery, Regina Saskatchewan, 2003

Souvenir of Canada, Douglas Coupland. Vancouver/Toronto: Douglas & McIntyre 2002

 

Collections

University of British Columbia, Belkin Art Gallery, Vancouver, BC

 

Other

Photography and the Limits of the Document (South Granville), Symposium in conjunction with Cruel and Tender the Real in the Twentieth-Century Photograph, Tate Modern, London, UK