       |
|
HOWARD URSULIAK - BIOGRAPHY
|
|
Born: 1960, Edmonton, Alberta
Education M.F.A. in Visual Arts, University of British Columbia, Department of Fine Art,
Selected Solo Exhibitions 2007 2005 2002 2001 1998 1997 1992 1988
Selected Group Exhibitions 2006 2005 2003 2002 2001 2000 1999 1998 1997 1989 1987 1986
Reviews & Publications Vestige: The Photographs of Howard Ursuliak, Issue No. 94, Volume 24, Number 2 Pages 76-81, Boarder Crossing Magazine, Winnipeg, MN. Objetos cotidianos / Ordinary things, Exit - Image and Culture, Madrid, Spain, #11, 2003, pg. 34 – 39. A Proposal for an Exhibition, review by Lorissa Sengara, CANADIAN ART, Toronto, ON Volume 20, number 1, spring 2003, pg. 104-06. The Vancouver School: Canadian Bred Photoconceptualism, produced by Sean Embrey, CBC Radio 3, broadcast February 21-28, 2003 (archieved at: www.cbcr3.ca). Photographic shows work in remembrance of things past, by Peter Goddard, The Toronto Star, February 23, 2003, pg. G5. El Cero y el Infinito, by Rafael Lopez Ramos, FISURA: Revista de Literatura y Arte New York, New York, Ano 1, No. 3, Febrero 2003, pg. 12. un local: photographic works by Jane Lee and Gabor Koleszar, publication and text by Howard Ursuliak, “Emerging artists dare to pick up cameras”, review by Robin Laurence, The Georgia Straight, Vancouver, BC, January 2-9, 2003, La fotografia de Ursuliak y Bauer, en el Patio de Escuelas, by E.V.S., Tribuna de Salamanca, Salamanca, Spain, May 11, 2001. After Photography - Realism in Recent Vancouver Art, by Roy Arden, CANADIAN ART, Toronto, ON, Winter 2000. Stores and Market, CV Photo, Montreal, QC, no. 52, Fall 2000, pg. 23-30 (portfolio - pictorial and written work). The New Document, CANADIAN ART, Toronto, ON, volume 17, number 2, summer 2000, Pg. 30. The Next Big Thing in Fine Art, Western Living, Vancouver, BC, Sept.1999, After Photography - Late Light, by Michael Scott, CANADIAN ART, Toronto, ON, volume 16, number 3, fall 1999, pg. 118 (pictorial). Surveyor - Eye, Second - Hand Stories, by Gillian Burnett, SATURDAY NIGHT Magazine, Toronto, ON, October, 1999, pg. 15 (pictorial). Discovering Art in Playdoh and Moon Pies, by J.J. Lee, The Georgia Straight, Vancouver, BC September 9-16, 1999, pg. 43. Tongues and Ashes, by Robert Reid, The Record (Arts & Entertainment), Kitchener, ON, July 17, 1999. Retratos de la Cotidianidad (El Dia De Cada Dia), by Manuel Falces, El Pais (Babelia), Madrid, Spain, January 9, 1999. Cruda Realidad (El Dia De Cada Dia), by Mariano Navarro, La Razon (El Cultural), Madrid, Spain, January 3, 1999. Property Relations / Market - at The Monte Clark Gallery, by Lisa Gabrielle Mark, ART FORUM Magazine, New York, N. Y. November 1998, XXXVII, No. 3, pg. 120-21. Letter from Vancouver, By Lisa Gabrielle Mark, C Magazine, Toronto, ON, issue #59, Sept - Nov 1998, pg. 37 (pictorial). Movie-Inspired "Place": Going to the Picture Show, by David Pagel, The Los Angeles Times, Los Angeles, California, August 28, 1998, pg. F24. Imago apuesta por la tecnica documental de Ursuliak que personaliza ambientes, desolados, By Asun Solis, Tribuna de Salamanca, Salamanca, Spain, June 20, 1998. Imago desvela la nostalgia creative de Ursuliak en la sala de Abrantes by Jose A. Montero, La Gazeta, June 20, 1998. Property Relations / Market, by Robin Laurence, The Georgia Straight, BONUS - at The Canadian Museum of Contemporary Photography, by Sylvie Fortin, C Magazine, Toronto, ON. Issue #58, May - August 1998, pg. 26. Images of Candy and Cheap Decrepitude (BONUS), by Robin Laurence, The Georgia Straight, Vancouver, BC, March 6-13, 1997, pg. 58 (pictorial). Photographic work represented in Kit and Caboodle Magazine, New York, N.Y., volume 3, summer edition, 1997. Photographic work represented in Views, a publication of the Toronto Photographer's Workshop, volume 6. No. 4, November, 1989. Territorial: Dispossession, by Arni Runar Haraldsson, C Magazine, Toronto, ON, Issue 21, March 1989. A Linear Narration: Post Phallocentrism, by Earl Miller, Parachute Magazine, Montreal, QC. Issue 49, 1987-88. Broken Muse, by Jane Young, C Magazine, Toronto, ON. Issue 13, June 1987.
Projects & Public Presentations Art and the Sacred, part of the Philosopher’s Café series, ‘The Value of Art”, at the Vancouver Art Gallery, Vancouver, BC, May 8, 2003. un local, photographic work by Jane Lee and Gabor Koleszar, essay for this exhibition at ARTSPEAK gallery, Vancouver, BC, Dec. 2002. Sheltered Dreams, an artist’s residency at the Canada Way Education Center in conjunction with Visual Arts Burnaby, Burnaby, BC, Feb – May 2002. Interdisciplinary Perspectives on Domestic Space (workshop, April 7th, 2001), sponsored by the Department of Humanities, Institute for the Humanities, Graduate Liberal Studies, and the Dean of Arts at Simon Fraser University, Vancouver Campus, Vancouver, BC. Artist Talk, lecture series at the Vancouver Art Gallery, February 8, 2001, in conjunction with the exhibition Pictures, Positions, Places, Vancouver, BC. A Sadness without the Object,, CV Photo, Montreal, QC, no. 52, Fall 2000, pg. 23-30 (portfolio - pictorial and written work). The Enigma of the Object, my English translation of the Spanish text by Jose Luis Brea on the photographic work of Javier Ayarza, 1999. A Sadness without the Object, catalogue essay and publication design for my exhibition at the University of Salamanca in conjunction with IMAGO: perspectives on fotografia and video, 1998.
Professional Recognition Nomination for a National Magazine Award for the Portfolio "Vestige: The Photographs of Howard Ursuliak", Published in Issue No. 94, Volume, 24, Number 2 of Boarder Crossing Magazine. Canada Council Visual Arts Award, B Grant in Photography, July 2000 British Columbia Cultural Fund Scholarships, Senior Tuition Award, applied to studies in 1990-91, Junior Tuition Award, applied to studies in 1983-84. Recipient of the first Howard and Carol Tanenbaum Family Foundation Award, administered through the Toronto Photographer's Workshop for work submitted to their national competition, 1989.
Public Collections Fonds National d’Art Contemporain, Paris, France
Numerous Small Collections Sydney, Australia
|
 |
